Animal Farm (George Orwell)

Gordon Comstock has ‘declared war’ on what he sees as an ‘overarching dependence’ on money by leaving a promising job as a copywriter for an advertising company called ‘New Albion’—at which he shows great dexterity—and taking a low-paying job instead, ostensibly so he can write poetry. Coming from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living. The ‘war’ (and the poetry), however, aren’t going particularly well and, under the stress of his ‘self-imposed exile’ from affluence, Gordon has become absurd, petty and deeply neurotic. Comstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie. He works intermittently at a magnum opus he plans to call ‘London Pleasures’, describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf. He is simultaneously content with his meagre existence and also disdainful of it. He lives without financial ambition and the need for a ‘good job,’ but his living conditions are uncomfortable and his job is boring. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

I want to go Home! I want to go back to India! I am misera-ble. The steamship Nawab at this time of the year ought to have been empty, instead of which we have one hundred first-class passengers and sixty-six second. All the pretty girls are in the latter class. Something must have happened at Colombo—two steamers must have clashed. We have the results of the collision, and we are a menagerie. The captain says that there ought to have been only ten or twelve passengers by rights, and had the rush been anticipated, a larger steamer would have been provided. Per-sonally, I consider that half our shipmates ought to be thrown overboard. They are only travelling round the world for pleasure, and that sort of dissipation leads to the forming of hasty and in-temperate opinions. Anyhow, give me freedom and the cock-roaches of the British India, where we dined on deck, altered the hours of the meals by plebiscite, and were lords of all we saw. You know the chain-gang regulations of the P. and O.: how you must approach the captain standing on your head with your feet waving reverently; how you must crawl into the presence of the chief steward on your belly and call him Thrice-Puissant Bottle-washer; how you must not smoke abaft the sheep-pens; must not stand in the companion; must put on a clean coat when the ship's library is opened; and crowning injustice, must order your drinks for tiffin and dinner one meal in advance? Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

Bleak House is a novel by Charles Dickens, first published as a 20-episode serial between March 1852 and September 1853. The novel has many characters and several sub-plots, and is told partly by the novel's heroine, Esther Summerson, and partly by an omniscient narrator. At the centre of Bleak House is a long-running legal case in the Court of Chancery, Jarndyce and Jarndyce, which comes about because a testator has written several conflicting wills. In a preface to the 1853 first edition, Dickens claimed there were many actual precedents for his fictional case. One such was probably the Thellusson v Woodford case in which a will read in 1797 was contested and not determined until 1859. Though many in the legal profession criticised Dickens's satire as exaggerated, this novel helped support a judicial reform movement which culminated in the enactment of legal reform in the 1870s. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.