Sylvie and Bruno (Lewis Caroll)

A Child’s History of England, it first appeared in serial form in Household Words, running from 25 January 1851 to 10 December 1853. Dickens also published the work in book form in three volumes: the first volume on 20 December 1851, the second on 25 December 1852 and the third on 24 December 1853. Although the volumes were published in December, each was postdated the following year.  Dickens dedicated the book to “My own dear children, whom I hope it may help, bye and bye, to read with interest larger and better books on the same subject”. The history covered the period between 50 BC and 1689, ending with a chapter summarising events from then until the accession of Queen Victoria. In a letter to his friend Douglas William Jerrold, Dickens confessed that he was composing the book so that he could prevent his children from embracing conservatism: “I am writing a little history of England for my boy... For I don’t know what I should do, if he were to get hold of any conservative or High Church notions; and the best way of guarding against any such horrible result is, I take it, to wring the parrots’ neck in his very cradle.” Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

The themes of the book are nostalgia, the folly of trying to go back and recapture past glories and the easy way the dreams and aspirations of one’s youth can be smothered by the humdrum routine of work, marriage and getting old. It is written in the first person, with George Bowling, the forty-five-year-old protagonist, who reveals his life and experiences while undertaking a trip back to his boyhood home as an adult. At the opening of the book, Bowling has a day off work to go to London to collect a new set of false teeth. A newsposter about the contemporary King Zog of Albania sets off thoughts of a biblical character Og, King of Bashan that he recalls from Sunday church as a child. Along with ‘some sound in the traffic or the smell of horse dung or something’ these thoughts trigger Bowling’s memory of his childhood as the son of an unambitious seed merchant in “Lower Binfield” near the River Thames. Bowling relates his life history, dwelling on how a lucky break during the First World War landed him in a comfortable job away from any action and provided contacts that helped him become a successful salesman. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

Gordon Comstock has ‘declared war’ on what he sees as an ‘overarching dependence’ on money by leaving a promising job as a copywriter for an advertising company called ‘New Albion’—at which he shows great dexterity—and taking a low-paying job instead, ostensibly so he can write poetry. Coming from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living. The ‘war’ (and the poetry), however, aren’t going particularly well and, under the stress of his ‘self-imposed exile’ from affluence, Gordon has become absurd, petty and deeply neurotic. Comstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie. He works intermittently at a magnum opus he plans to call ‘London Pleasures’, describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf. He is simultaneously content with his meagre existence and also disdainful of it. He lives without financial ambition and the need for a ‘good job,’ but his living conditions are uncomfortable and his job is boring. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857. The story features Amy Dorrit, youngest child of her family, born and raised in the Marshalsea prison for debtors in London. Arthur Clennam encounters her after returning home from a 20-year absence, ready to begin his life anew. The novel satirises some shortcomings of both government and society, including the institution of debtors’ prisons, where debtors were imprisoned, unable to work and yet incarcerated until they had repaid their debts. The prison in this case is the Marshalsea, where Dickens’ own father had been imprisoned. Dickens is also critical of the impotent bureaucracy of the British government, in this novel in the form of the fictional “Circumlocution Office”. Dickens also satirises the stratification of society that results from the British class system. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.