The Adventures Of Sherlock Holmes (Sir Arthur Conan Doyle)

Jacob's Room is the third novel by Virginia Woolf, first published on October 26, 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a ‘protagonist’ in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

I want to go Home! I want to go back to India! I am misera-ble. The steamship Nawab at this time of the year ought to have been empty, instead of which we have one hundred first-class passengers and sixty-six second. All the pretty girls are in the latter class. Something must have happened at Colombo—two steamers must have clashed. We have the results of the collision, and we are a menagerie. The captain says that there ought to have been only ten or twelve passengers by rights, and had the rush been anticipated, a larger steamer would have been provided. Per-sonally, I consider that half our shipmates ought to be thrown overboard. They are only travelling round the world for pleasure, and that sort of dissipation leads to the forming of hasty and in-temperate opinions. Anyhow, give me freedom and the cock-roaches of the British India, where we dined on deck, altered the hours of the meals by plebiscite, and were lords of all we saw. You know the chain-gang regulations of the P. and O.: how you must approach the captain standing on your head with your feet waving reverently; how you must crawl into the presence of the chief steward on your belly and call him Thrice-Puissant Bottle-washer; how you must not smoke abaft the sheep-pens; must not stand in the companion; must put on a clean coat when the ship's library is opened; and crowning injustice, must order your drinks for tiffin and dinner one meal in advance? Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

The themes of the book are nostalgia, the folly of trying to go back and recapture past glories and the easy way the dreams and aspirations of one’s youth can be smothered by the humdrum routine of work, marriage and getting old. It is written in the first person, with George Bowling, the forty-five-year-old protagonist, who reveals his life and experiences while undertaking a trip back to his boyhood home as an adult. At the opening of the book, Bowling has a day off work to go to London to collect a new set of false teeth. A newsposter about the contemporary King Zog of Albania sets off thoughts of a biblical character Og, King of Bashan that he recalls from Sunday church as a child. Along with ‘some sound in the traffic or the smell of horse dung or something’ these thoughts trigger Bowling’s memory of his childhood as the son of an unambitious seed merchant in “Lower Binfield” near the River Thames. Bowling relates his life history, dwelling on how a lucky break during the First World War landed him in a comfortable job away from any action and provided contacts that helped him become a successful salesman. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.