The Battle of Life (Charles Dickens)

Gordon Comstock has ‘declared war’ on what he sees as an ‘overarching dependence’ on money by leaving a promising job as a copywriter for an advertising company called ‘New Albion’—at which he shows great dexterity—and taking a low-paying job instead, ostensibly so he can write poetry. Coming from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living. The ‘war’ (and the poetry), however, aren’t going particularly well and, under the stress of his ‘self-imposed exile’ from affluence, Gordon has become absurd, petty and deeply neurotic. Comstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie. He works intermittently at a magnum opus he plans to call ‘London Pleasures’, describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf. He is simultaneously content with his meagre existence and also disdainful of it. He lives without financial ambition and the need for a ‘good job,’ but his living conditions are uncomfortable and his job is boring. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

Burmese Days is the first novel by English writer George Orwell, published in 1934. Set in British Burma during the waning days of empire, when Burma was ruled from Delhi as part of British India, the novel serves as “a portrait of the dark side of the British Raj.” At the centre of the novel is John Flory, “the lone and lacking individual trapped within a bigger system that is undermining the better side of human nature.” The novel describes “both indigenous corruption and imperial bigotry” in a society where, “after all, natives were natives—interesting, no doubt, but finally...an inferior people”. Burmese Days was first published “further afield,” in the United States, because of concerns that it might be potentially libelous; that the real provincial town of Katha had been described too realistically; and that some of its fictional characters were based too closely on identifiable people. A British edition, with altered names, appeared a year later. Nonetheless, Orwell’s harsh portrayal of colonial society was felt by “some old Burma hands” to have “rather let the side down”. In a letter from 1946, Orwell wrote, “I dare say it’s unfair in some ways and inaccurate in some details, but much of it is simply reporting what I have seen”. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

The themes of the book are nostalgia, the folly of trying to go back and recapture past glories and the easy way the dreams and aspirations of one’s youth can be smothered by the humdrum routine of work, marriage and getting old. It is written in the first person, with George Bowling, the forty-five-year-old protagonist, who reveals his life and experiences while undertaking a trip back to his boyhood home as an adult. At the opening of the book, Bowling has a day off work to go to London to collect a new set of false teeth. A newsposter about the contemporary King Zog of Albania sets off thoughts of a biblical character Og, King of Bashan that he recalls from Sunday church as a child. Along with ‘some sound in the traffic or the smell of horse dung or something’ these thoughts trigger Bowling’s memory of his childhood as the son of an unambitious seed merchant in “Lower Binfield” near the River Thames. Bowling relates his life history, dwelling on how a lucky break during the First World War landed him in a comfortable job away from any action and provided contacts that helped him become a successful salesman. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.

I Am a Cat is a satirical novel written in 1905–1906 by Natsume Sōseki about Japanese society during the Meiji period (1868–1912); particularly, the uneasy mix of Western culture and Japanese traditions. Sōseki's title, Wagahai wa Neko de Aru, uses a very high-register phrasing more appropriate to a nobleman, conveying grandiloquence and self-importance. This is somewhat ironic, since the speaker, an anthropomorphized domestic cat, is a regular house cat of a teacher, and not of a high-ranking noble as the manner of speech suggests. The book was first published in ten installments in the literary journal Hototogisu. At first, Sōseki intended only to write the short story that constitutes the first chapter of I Am a Cat.  However, Takahama Kyoshi, one of the editors of Hototogisu, persuaded Sōseki to serialize the work, which evolved stylistically as the installments progressed. Nearly all the chapters can stand alone as discrete works. Warning: Unlike most of the books in our store, this book is in English. Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.