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Phantasmagoria and Other Poems (Lewis Caroll)
200.00₺
“Phantasmagoria” is a poem written by Lewis Carroll and first published in 1869 as the opening poem of a collection of verse by Carroll entitled Phantasmagoria and Other Poems.
It is Lewis Carroll’s longest poem. “Phantasmagoria” is a narrative discussion written in seven cantos between a ghost (a Phantom) and a man named Tibbets. Carroll portrays the ghost as not so different from human beings:although ghosts may jibber and jangle their chains, they, like us, simply have a job to do and that job is to haunt. Just as in our society, in ghost society there is a hierarchy, and ghosts are answerable to the King (who must be addressed as “Your Royal Whiteness”) if they disregard the “Maxims of Behaviour”.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı’ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
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A Room Of One’s Own (Virginia Woolf)
A Room of One’s Own is an extended essay by Virginia Woolf, first published in September 1929. The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women’s constituent colleges at the University of Cambridge.
In her essay, Woolf uses metaphors to explore social injustices and comments on women’s lack of free expression. Her metaphor of a fish explains her most essential point, “A woman must have money and a room of her own if she is to write fiction”. She writes of a woman whose thought had “let its line down into the stream”. As the woman starts to think of an idea, a guard enforces a rule whereby women are not allowed to walk on the grass. Abiding by the rule, the woman loses her idea. Here, Woolf describes the influence of women’s social expectations as mere domestic child bearers, ignorant and chaste.
The political meaning of the text is directly linked to this metaphor. When the emergence of the ‘new woman’ occurred, this awareness of injustice makes a clear political statement regarding women’s intellectual potential in their own right. Therefore, the broader literary influence of this argument reveals the increase in social tension as the century’s shift looms. Woolf suggests that the absence of female fiction is a result of a lack of opportunity rather than a distinct absence of talent.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
A Haunted House And Other Short Stories (Virginia Woolf)
A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf.
The first six stories appeared in her only previous collection Monday or Tuesday in 1921:
- A Haunted House
- Monday or Tuesday
- An Unwritten Novel
- The String Quartet
- Kew Gardens
- The Mark on the Wall
- The New Dress
- The Shooting Party
- Lappin and Lappinova
- Solid Objects
- The Lady in the Looking-Glass
- The Duchess and the Jeweller
- Moments of Being
- The Man who Loved his Kind
- The Searchlight
- The Legacy
- Together and Apart
- A Summing Up
1984 (George Orwell)
1984 is a dystopian social science fiction novel and cautionary tale.Thematically, it centres on the consequences of totalitarianism, mass surveillance and repressive regimentation of people and behaviours within society. Orwell, a democratic socialist, modelled the totalitarian government in the novel after Stalinist Russia and Nazi Germany. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated.
The story takes place in an imagined future, the year 1984, when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of the totalitarian superstate Oceania, ruled by the Party, who employ the Thought Police to persecute individuality and independent thinking. Big Brother, the dictatorial leader of Oceania, enjoys an intense cult of personality, manufactured by the party's excessive brainwashing techniques. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Outer Party member who secretly hates the Party and dreams of rebellion. He enters into a forbidden relationship with his colleague Julia and starts to remember what life was like before the Party came to power.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Keep the Aspidistra Flying (George Orwell)
Gordon Comstock has ‘declared war’ on what he sees as an ‘overarching dependence’ on money by leaving a promising job as a copywriter for an advertising company called ‘New Albion’—at which he shows great dexterity—and taking a low-paying job instead, ostensibly so he can write poetry. Coming from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living. The ‘war’ (and the poetry), however, aren’t going particularly well and, under the stress of his ‘self-imposed exile’
from affluence, Gordon has become absurd, petty and deeply neurotic.
Comstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie. He works intermittently at a magnum opus he plans to call ‘London Pleasures’, describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf. He is simultaneously content with his meagre existence and also disdainful of it. He lives without financial ambition and the need for a ‘good job,’ but his living conditions are uncomfortable and his job is boring.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Jacob’s Room (Virginia Woolf)
Jacob's Room is the third novel by Virginia Woolf, first published on October 26, 1922.
The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a ‘protagonist’ in conventional terms.
Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Coming Up for Air (George Orwell)
The themes of the book are nostalgia, the folly of trying to go back and recapture past glories and the easy way the dreams and aspirations of one’s youth can be smothered by the humdrum routine of work, marriage and getting old. It is written in the first person, with George Bowling, the forty-five-year-old protagonist, who reveals his life and experiences while undertaking a trip back to his boyhood home as an adult.
At the opening of the book, Bowling has a day off work to go to London to collect a new set of false teeth. A newsposter about the contemporary King Zog of Albania sets off thoughts of a biblical character Og, King of Bashan that he recalls from Sunday church as a child. Along with ‘some sound in the traffic or the smell of horse dung or something’ these thoughts trigger Bowling’s memory of his childhood as the son of an unambitious seed merchant in “Lower Binfield” near the River Thames. Bowling relates his life history, dwelling on how a lucky break during the First World War landed him in a comfortable job away from any action and provided contacts that helped him become a successful salesman.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Bleak House (Charles Dickens)
Bleak House is a novel by Charles Dickens, first published as a 20-episode serial between March 1852 and September 1853. The novel has many characters and several sub-plots, and is told partly by the novel's heroine, Esther Summerson, and partly by an omniscient narrator. At the centre of Bleak House is a long-running legal case in the Court of Chancery, Jarndyce and Jarndyce, which comes about because a testator has written several conflicting wills. In a preface to the 1853 first edition, Dickens claimed there were many actual precedents for his fictional case. One such was probably the Thellusson v Woodford case in which a will read in 1797 was contested and not determined until 1859. Though many in the legal profession criticised Dickens's satire as exaggerated, this novel helped support a judicial reform movement which culminated in the enactment of legal reform in the 1870s.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
A Child’s History Of England (Charles Dickens)
A Child’s History of England, it first appeared in serial form in Household Words, running from 25 January 1851 to 10 December 1853. Dickens also published the work in book form in three volumes: the first volume on 20 December 1851, the second on 25 December 1852 and the third on 24 December 1853. Although the volumes were published in December, each was postdated the following year.
Dickens dedicated the book to “My own dear children, whom I hope it may help, bye and bye, to read with interest larger and better books on the same subject”. The history covered the period between 50 BC and 1689, ending with a chapter summarising events from then until the accession of Queen Victoria. In a letter to his friend Douglas William Jerrold, Dickens confessed that he was composing the book so that he could prevent his children from embracing conservatism: “I am writing a little history of England for my boy... For I don’t know what I should do, if he were to get hold of any conservative or High Church notions; and the best way of guarding against any such horrible result is, I take it, to wring the parrots’ neck in his very cradle.”
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
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