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Phantasmagoria and Other Poems (Lewis Caroll)
200.00₺
“Phantasmagoria” is a poem written by Lewis Carroll and first published in 1869 as the opening poem of a collection of verse by Carroll entitled Phantasmagoria and Other Poems.
It is Lewis Carroll’s longest poem. “Phantasmagoria” is a narrative discussion written in seven cantos between a ghost (a Phantom) and a man named Tibbets. Carroll portrays the ghost as not so different from human beings:although ghosts may jibber and jangle their chains, they, like us, simply have a job to do and that job is to haunt. Just as in our society, in ghost society there is a hierarchy, and ghosts are answerable to the King (who must be addressed as “Your Royal Whiteness”) if they disregard the “Maxims of Behaviour”.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı’ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
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A Room Of One’s Own (Virginia Woolf)
A Room of One’s Own is an extended essay by Virginia Woolf, first published in September 1929. The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women’s constituent colleges at the University of Cambridge.
In her essay, Woolf uses metaphors to explore social injustices and comments on women’s lack of free expression. Her metaphor of a fish explains her most essential point, “A woman must have money and a room of her own if she is to write fiction”. She writes of a woman whose thought had “let its line down into the stream”. As the woman starts to think of an idea, a guard enforces a rule whereby women are not allowed to walk on the grass. Abiding by the rule, the woman loses her idea. Here, Woolf describes the influence of women’s social expectations as mere domestic child bearers, ignorant and chaste.
The political meaning of the text is directly linked to this metaphor. When the emergence of the ‘new woman’ occurred, this awareness of injustice makes a clear political statement regarding women’s intellectual potential in their own right. Therefore, the broader literary influence of this argument reveals the increase in social tension as the century’s shift looms. Woolf suggests that the absence of female fiction is a result of a lack of opportunity rather than a distinct absence of talent.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Down and Out in Paris and London (George Orwell)
Down and Out in Paris and London is the first full-length work by the English author George Orwell, published in 1933. It is a memoir in two parts on the theme of poverty in the two cities. Its target audience was the middle- and upper-class members of society—those who were more likely to be well educated— and exposes the poverty existing in two prosperous cities: Paris and London. The first part is an account of living in near-extreme poverty destitution in Paris and the experience of casual labour in restaurant kitchens. The second part is a travelogue of life on the road in and around London from the tramp's perspective, with descriptions of the types of hostel accommodation available and some of the characters to be found living on the margins.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
A Haunted House And Other Short Stories (Virginia Woolf)
A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf.
The first six stories appeared in her only previous collection Monday or Tuesday in 1921:
- A Haunted House
- Monday or Tuesday
- An Unwritten Novel
- The String Quartet
- Kew Gardens
- The Mark on the Wall
- The New Dress
- The Shooting Party
- Lappin and Lappinova
- Solid Objects
- The Lady in the Looking-Glass
- The Duchess and the Jeweller
- Moments of Being
- The Man who Loved his Kind
- The Searchlight
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- A Summing Up
Barrack – Room Ballads (Rudyard Kipling)
“Soldier, soldier come from the wars,
I’ll down an’ die with my true love!”
“The pit we dug’ll ‘ide ‘im an’ the twenty men beside ‘im—
An’ you’d best go look for a new love.”
“Soldier, soldier come from the wars,
Do you bring no sign from my true love?”
“I bring a lock of ‘air that ‘e allus used to wear,
An’ you’d best go look for a new love.”
“Soldier, soldier come from the wars,
O then I know it’s true I’ve lost my true love!”
“An’ I tell you truth again—when you’ve lost the feel o’ pain
You’d best take me for your true love.”
True love! New love!
Best take ‘im for a new love,
The dead they cannot rise, an’ you’d better dry your eyes,
An’ you’d best take ‘im for your true love.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Keep the Aspidistra Flying (George Orwell)
Gordon Comstock has ‘declared war’ on what he sees as an ‘overarching dependence’ on money by leaving a promising job as a copywriter for an advertising company called ‘New Albion’—at which he shows great dexterity—and taking a low-paying job instead, ostensibly so he can write poetry. Coming from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living. The ‘war’ (and the poetry), however, aren’t going particularly well and, under the stress of his ‘self-imposed exile’
from affluence, Gordon has become absurd, petty and deeply neurotic.
Comstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie. He works intermittently at a magnum opus he plans to call ‘London Pleasures’, describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf. He is simultaneously content with his meagre existence and also disdainful of it. He lives without financial ambition and the need for a ‘good job,’ but his living conditions are uncomfortable and his job is boring.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
Coming Up for Air (George Orwell)
The themes of the book are nostalgia, the folly of trying to go back and recapture past glories and the easy way the dreams and aspirations of one’s youth can be smothered by the humdrum routine of work, marriage and getting old. It is written in the first person, with George Bowling, the forty-five-year-old protagonist, who reveals his life and experiences while undertaking a trip back to his boyhood home as an adult.
At the opening of the book, Bowling has a day off work to go to London to collect a new set of false teeth. A newsposter about the contemporary King Zog of Albania sets off thoughts of a biblical character Og, King of Bashan that he recalls from Sunday church as a child. Along with ‘some sound in the traffic or the smell of horse dung or something’ these thoughts trigger Bowling’s memory of his childhood as the son of an unambitious seed merchant in “Lower Binfield” near the River Thames. Bowling relates his life history, dwelling on how a lucky break during the First World War landed him in a comfortable job away from any action and provided contacts that helped him become a successful salesman.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
American Notes For General Circulation (Charles Dickens)
American Notes for General Circulation is a travelogue by Charles Dickens detailing his trip to North America from January to June 1842. While there he acted as a critical observer of North American society, almost as if returning a status report on their progress. This can be compared to the style of his Pictures from Italy written four years later, where he wrote far more like a tourist. His American journey was also an inspiration for his novel Martin Chuzzlewit. Having arrived in Boston, he visited Lowell, New York, and Philadelphia, and travelled as far south as Richmond, as far west as St. Louis and as far north as Quebec. The American city he liked best was Boston – "the air was so clear, the houses were so bright and gay. [...] The city is a beautiful one, and cannot fail, I should imagine, to impress all strangers very favourably." Further, it was close to the Perkins Institution and Massachusetts Asylum for the Blind where Dickens encountered Laura Bridgman, who impressed him greatly.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
A Clergyman’S Daughter (George Orwell)
A Clergyman's Daughter is a 1935 novel by English author George Orwell. It tells the story of Dorothy Hare, the clergyman's daughter of the title, whose life is turned upside down when she suffers an attack of amnesia. It is Orwell's most formally experimental novel, featuring a chapter written entirely in dramatic form, but he was never satisfied with it and he left instructions that after his death it was not to be reprinted. Despite these instructions, Orwell did consent to the printing of cheap editions "of any book which may bring in a few pounds for my heirs" following his death.
Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.
Warning: Unlike most of the books in our store, this book is in English.
Uyarı: Agora Bilim Pazarı'ndaki diğer birçok kitabın aksine, bu kitap İngilizcedir.
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